![]() Tilly: She'd come in and she'd be like, "Uh, you know, we need to come up with a new pick-up line. Just that I felt a lot more confident by the time I got back to L.A. I'm definitely not talking about what happened. I just went out and felt the vibe and met people. When I got there she couldn't do it, so she pointed me in the right direction to go to certain bars. Gershon: We were going to go cruising around San Francisco. And the thing is, Gina's character is a lot more hardcore lesbian than Violet. She was an authority figure, and in the lesbian community. The Wachowskis thought it was important that I meet her. Gershon: Susie Bright, she was supposed to take me around. That's why the bar scene is so authentic-it's all lesbians. Tilly: This scene here it was all Susie Bright's friends. Tilly: Once they got the two of us in the room, I thought, "This is a girl that I can really see being in a relationship with." Gershon: You're the really, truly the only real actress I've stayed friends with… It made my job easy to kind of objectify her. It's just so easy to watch her, like her butt and her legs. Gershon: As soon as I met Jen, I thought, "Oh my God, all I have to do is watch her." She was so amusing and so fun. ![]() A studio offered the a lot more money to make the movie, but they said that they had to make Corky a man. Tilly: It was a classic film noir, except instead of the lead being a male, it was Corky. I wanted to be like all the guys I project on to. I had been dancing for five months, so I was so floaty and I wanted to be in my body more like a boxer…Marlon Brando, Monty Clift, Robert Mitchum. all my nails and my hair off, and I started boxing. Gershon: I was coming right off of Showgirls, and I was so ultra femme in that. We're going to sell it to you." It was called "Vamp." All my makeup is like shades of violet, like my lipstick is purple-y. We're saving it somebody, but they were supposed to pick it up yesterday. It had just come out, and I went into Chanel and they said, "Oh, we only have one bottle. ![]() Jennifer Tilly (Violet): I wanted my hair to have a violet sheen, so it's black but if you see it in the correct light, it's very dark. I mean, it's the typical part that I've watched my whole life, and it's never been a woman. We will not let you do this movie." I never get to play the hero and to get the chick. Literally, I was told, "You are ruining your career doing this movie. Shot in London, England, the home of the rubber scene, is the perfect location to do a modern (rubber) take of Robert Mapplethorpe's photo "Brian Ridley and Lyle Heeter.Gina Gershon (Corky): My agents didn't want me to do it. PHOTO: Matt Spike This photo from issue 218, which will come out October 2020, celebrates the 1st year anniversary of the Drummer reboot. Our vision: to accurately reflect the gay leather scene while educating readers about fetishes and kinks that are underreported or underrepresented. Last October, Drummer relaunched in print and online at, rising from the ashes 20 years later as a quarterly magazine. It's featured writers and artists like Tom of Finland, Rex, Robert Mapplethorpe, and Samuel Steward. It was the largest American leather magazine and has been said to have created the leather movement as we know it today. Leather, Rubber, and Kink Come Back Home to "Drummer".ĭrummer magazine originally launched in Los Angeles in 1975 and ran until 1999. ![]()
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